गौरी आवाहन | Gauri Avahan | Gauri Pujan | Gaurai | Gauri Decoration | घरच्या गौरीचे आगमन..

Описание: गौरी आवाहन | Gauri Avahan | Gauri Pujan | Gaurai | Gauri Decoration | घरच्या गौरीचे आगमन

Gauri aagaman means Arrival of Mata Gauri at home is one of the auspicious & happy moment every year in the Ganesh festival

Our Maharashtrian tradition of inviting Mata Gauri during Ganesh festival

Song from Marathi Album Ghagar Ghumu De (Gauri Geete) starring Maya Jadhav, Surekha Kudchi, Neeta Patil, Mitali Jagtap, Santosh Bhagare,
Director: Shahaji Kale, Producer : Arun Kachre,
Music Director : Ashok Vaigankar,
Singer : Jagdish Khebudkar, Arun Kachre

Gauri(Gowri in Marathi) Puja is performed in many households during Ganesh Chaturthi festival especially in Maharashtra. Goddess Gauri or Gowri is another name for Goddess Parvati, the mother of Ganesha.

But in Gauri Puja during Vinayaka Chaturthi in certain parts of Maharashtra, especially in Pune, Goddess Gauri is the sister of Ganapati. Arrival of Goddess Gauri in homes is said to bring health, wealth, happiness and prosperity. Two idols of Goddess Gauri are brought home and worshipped and the arrival is regarded as the coming of the sisters of Ganesha by some communities. Some people believe that it is Goddess Parvati, mother of Ganesha.

The idols of Gauri are brought usually two days after the beginning of Ganesh Chaturthi. It is placed for three days – first day is the avahana, next day it is Satyanarayan puja and on the third day Gauri is immersed in water. Gauri Puja is also considered as Upasana of Goddess Lakshmi in some regions.

Many Hindus might raise an eyebrow when they hear Gauri as sister of Ganesha. A Gauri Puja is held the day before or on Ganesh Chaturthi in Karnataka and in it Gowri is the mother of Ganesha. In West Bengal, Goddess Lakshmi and Goddess Saraswati are sisters of Ganesha and all three are children of Goddess Durga.

Each region in India has an independent culture and most of these cultures are 5000 years old. Each region has developed its on way of interpreting the deities. But what is common in all regions is the basic idea – all idols are an attempt to give form to the Nirguna Parabrahman. Brahman cannot be defined but each individual has the freedom to make an attempt to define in it. The greatness of Sanatana Dharma lies in this freedom, respecting an individual’s quest to define Brahman and not in imposing ideas.

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