Smoke gets in Your Eyes - jazz piano - Jazz Standard
Автор: PianistaItaliano
Загружено: 2018-02-15
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Hi all, here the famus song Smoke gets in Your Eyes in C - I hope you enjoy :-)
The original music was composed by Jerome Kern More info about the song :"Smoke Gets in Your Eyes" is a show tune written by American composer Jerome Kern and lyricist Otto Harbach for their 1933 musical Roberta. It was sung in the original show by Tamara Drasin and originally recorded by Gertrude Niesen on October 13, 1933, on the Victor label 24454. It was performed by Irene Dunne for the 1935 film adaptation, co-starring Fred Astaire, Ginger Rogers and Randolph Scott. Possibly the most famous version was recorded in 1958 by The Platters, which became a number one hit on the U.S. Billboard Hot 100 — it reached number three on the R&B charts in 1959 — and on the UK charts, where it spent five weeks at the top in February and March of that same year. The Composer: Jerome David Kern (January 27, 1885 -- November 11, 1945) was an American composer of musical theatre and popular music. One of the most important American theatre composers of the early 20th century, he wrote more than 700 songs, used in over 100 stage works, including such classics as "Ol' Man River", "Can't Help Lovin' Dat Man", "A Fine Romance", "Smoke Gets in Your Eyes", "All the Things You Are", "The Way You Look Tonight", "Long Ago (and Far Away)" and "Who?". He collaborated with many of the leading librettists and lyricists of his era, including George Grossmith Jr., Guy Bolton, P. G. Wodehouse, Otto Harbach, Oscar Hammerstein II, Dorothy Fields, Johnny Mercer, Ira Gershwin and E. Y. Harburg. A native New Yorker, Kern created dozens of Broadway musicals and Hollywood films in a career that lasted for more than four decades. His musical innovations, such as 4/4 dance rhythms and the employment of syncopation and jazz progressions, built on, rather than rejected, earlier musical theatre tradition. He and his collaborators also employed his melodies to further the action or develop characterization to a greater extent than in the other musicals of his day, creating the model for later musicals. Although dozens of Kern's musicals and musical films were hits, only Show Boat is now regularly revived. Songs from his other shows, however, are still frequently performed and adapted. Although Kern detested jazz arrangements of his songs, many have been adopted by jazz musicians to become standard tunes.
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