Iberian Music for Keyboard | Pierre Hantaï · MarchVivo

Описание: The expression “Iberian key” was introduced by the pioneers of the recovery of the repertoire for organ and harpsichord written in Portugal and Spain between the 16th and 18th centuries, a repertoire that includes works from the long organ tradition of the peninsula (Cabezón, Araújo...) and that reached its virtuosic peak with the sonatas of Scarlatti and Seixas.

Antonio de Cabezón (1510-1566)
00:00 Tiento of the first tone
02:33 Diferencias on the italian pavana
06:00 Three versillos of the second tone
09:30 Tiento of the first tone
14:17 Glossa on the motet “Ave Maria” by Josquin Desprez
19:31 Diferencias on the gallarda milanesa

Pedro de Araújo (1662-1705)
22:09 Fantasy of the first tone

Antonio de Cabezón (1510-1566)
31:33 Three versillos of the sixth tone
34:16 Diferencias on “Las vacas”

Juan Bautista Cabanilles (1644-1712)
39:23 First-tone Passacaglia

Anonymous
44:28 Españoleta

Domenico Scarlatti (1685-1757)
47:11 Sonata in D Minor, K 213
51:07 Sonata in D Minor, K 295

Carlos Seixas (1704-1742)
54:37 Minuet, from Sonata No. 55 in G Minor

Domenico Scarlatti (1685-1757)
56:19 Sonata in C Minor, K 58

Carlos Seixas (1704-1742)
59:31 Minuet, from Sonata No. 43 in F Major

Domenico Scarlatti (1685-1757)
1:00:32 Sonata in F Major, K 151
1:05:20 Sonata in B flat Major, K 249


Pierre Hantaï, harpsichord
Copy by Andrea Restelli (2004) after a harpsichord made by Christian Vater (1738)

Concert of the series “Iberia. Musical relations between Portugal and Spain (I)”
https://www.march.es/es/madrid/concie...

14 November 2018
Fundación Juan March, Madrid

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