Raag Lalit | Veena Sahasrabuddhe

Описание: Raag Lalit | Veena Sahasrabuddhe

Lalit is a prominent raga in Hindustani classical music. It is commonly described as serene and devotional and is performed at dawn time of the day.[1]

The swara (notes of the Indian musical scale) of Lalit put emphasis on the minor second (Re) and minor sixth (Dha), and include natural and sharp fourth (Ma), but omit the commonly used perfect fifth (Pa).[2] Author Peter Lavezzoli stated the raga was difficult to play for Western classical musicians because of its scale.[2] Jairazbhoy argued the use of both forms of Ma was an apparent chromaticism, but that one of the Ma notes was a diminished Pa.[3] Lalit with a different scale was identified in the 16th century, and a raga Lalita existed before.[1]

Pakad - Chalan of Lalit: Re♭, Ma-Ma#-Ma Ga Ma, Ma#Ni, Sa

As can be seen from above, the raga uses both the flat and the upper Ma and that makes this raga very distinct from other ragas. Deliberate oscillation on the cusp formed between Ma-Ma# and Ni is commonly heard.

In the Gwalior tradition of singing, and among many dhrupadiyas(colloquial term used to refer Dhrupad singers), Lalit is sung with a shuddh dhaivat (natural sixth), and has a slightly different chalan (way of moving).

Veena Sahasrabuddhe (14 September 1948 – 29 June 2016) was an Indian vocalist and composer of Hindustani classical music from Kanpur. Her singing style had its roots in Gwalior gharana, but it also borrowed from Jaipur and Kirana gharanas. Sahasrabuddhe was known as a singer of khyal and bhajan.

Veena Sahasrabuddhe was born in a musical family. Her father Shankar Shripad Bodas was a disciple of vocalist Vishnu Digambar Paluskar. She began her early musical education under her father, and then under her brother Kashinath Shankar Bodas.[citation needed] She also learned Kathak dancing in her childhood. Sahasrabuddhe's musical mentors included Balwantrai Bhatt, Vasant Thakar, and Gajananrao Joshi. Later she also trained briefly under Gaansaraswati Kishori Amonkar.

She had a bachelor's degree in vocal performance, Sanskrit literature, and English literature from Kanpur University (1968), a master's degree (Sangeet Alankar) in vocal performance from A.B.G.M.V. Mandal (1969), and also master's degree in Sanskrit from Kanpur University (1979). A.B.G.M.V. Mandal conferred on her a doctorate in vocal music (Sangeet Praveen) in 1988. For some years she was the head of the department of music at SNDT Pune campus. She performed all over India and in several countries around the world.

Her father Shankar Shripad Bodas was a contemporary of Omkarnath Thakur and Vinayakrao Patwardhan, and one of the earliest students of Vishnu Digambar Paluskar who founded the famous Gandharva Mahavidyalaya. Bodas was specially invited by Paluskar to move to Kanpur from Mumbai and spread music. Bodas and Shanta migrated to Kanpur in 1926, founded a Sangit Samaj and began teaching students, inviting other performers and propagating music. The Paluskar tradition was essentially in the Gwalior Gharana style and temperament of singing. Kanpur was an industrial town without any notable cultural life, particularly classical music. Until then, Uttar Pradesh had other places such as Banaras and Allahabad where music thrived. Veena's mother Shanta was also a singer and taught music in local schools in Kanpur. Veena grew up in this musical atmosphere at home. In addition to training from her father, she also trained with her brother Kashinath.

Veena Sahasrabuddhe gave her last concert on 2 December 2012. She was diagnosed with progressive supranuclear palsy. She died on 29 June 2016.

Awards
A prize in Vocal Classical category in a national competition for artists under age 25, conducted by All India Radio (1972)[citation needed]
Uttar Pradesh Sangeet Natak Akademi Award (1993)[citation needed]
Sangeet Natak Akademi Award (2013)[citation needed]
Akhil Bharatiya Gandharva Mahavidyalaya Mandal (ABGMV) confers posthumously the Honorary Degree " संगीत महामहोपाध्याय " (2019) [2]