Meet the Editors of "The Daily Show" on Filmmaker U!

Описание: This past Friday we were joined by "The Daily Show" Editors Einar Westerlund, Lauren Beckett Jackson, Erin Shannon & Storm Choi. In this episode we talked with the team about their amazing work on the show and specific segments that they worked on.

Friday, June 17th | 2:00 PM ET/ 11:00 AM PT

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Storm Choi has worked on several projects in varying genres including the documentary ‘14 Minutes from Earth’, the short ‘I Knew Him Well’, and TV shows such as ‘2017My Brother, My Brother and Me’ and ‘The Daily Show’. His work has been featured on the ‘Daily Show’ since 2017, and has was nominated for the 2020 Emmy Award for Outstanding Editing. In this episode Storm talks about "The Daily Showography of Vladimir Putin: Democracy’s SuperTsar."

As an editor Lauren Beckett Jackson focuses on Reality TV and Film. Her work includes ‘Beneath the Olive Tree’, ‘Not Fuckin’ Around Crew’, ‘Say Yes to the Dress’, ‘Promposal’, and ‘The Daily Show’. Beckett’s work has earned her awards including Miami Web Fest's 2016 Best Sketch Comedy Web Series Award for ‘Not Fuckin' Around Crew’, and several others for the documentary ‘Beneath the Olive Tree’. In this episode Lauren talks about "Clitoral Anatomy: The Unstudied Frontier."

Erin Shannon’s work includes ‘Town of the Living Dead’, ‘I Knew Him Well’, and ‘The Daily Show. She began working on ‘The Daily Show’ in 2016 as a media coordinator but as of 2019 is credited as one of the editors on the show. In this episode Erin talks about "The Hist-HER-y of Female Veterans."

Einar Westerlund’s work includes ‘Taste: What's Going on - Live at the Isle of Wight 1970’, ‘Dead Funny’, and ‘The Daily Show’. Their work on ‘The Daily Show’ has 3 Emmy nominations and one win in 2013 for Outstanding Picture Editing For Short-Form Segments And Variety Specials. In this episode Einar talks about "Jordan Klepper vs. Iowans Who Think Trump Won."

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Before today’s fast-paced era of digital and remote filmmaking, in-person mentorship played a key role in film crews, post houses, and a filmmaker’s career development. Cutting rooms and film sets were also creative hives for passing on techniques, ideas, war stories and developing relationships that would help grow a career. Trainee would move to apprentice, apprentice to assistant, and eventually through hard work and guidance, the learner would eventually become the master.

Seasoned career veterans delighted in sharing the knowledge, techniques, tricks, and ideas, they had learned over the years. With the increased speed of digital cinema and rapid pace of today’s industry, young film professionals are often thrust into situations without having the opportunity to meet a mentor, or the time spend as a protege.

Filmmaker U was created to help fill this void in the modern day film industry. We bring the best in the business to any aspiring media artist looking for a meaningful and truly enriching apprentice experience.

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