Joseph Haydn - Keyboard Concerto No. 11 in D (c. 1780-83)

Описание: Franz Joseph Haydn (31 March 1732 – 31 May 1809) was an Austrian composer of the Classical period. He was instrumental in the development of chamber music such as the piano trio. His contributions to musical form have earned him the epithets "Father of the Symphony" and "Father of the String Quartet".

Haydn spent much of his career as a court musician for the wealthy Esterházy family at their remote estate. Until the later part of his life, this isolated him from other composers and trends in music so that he was, as he put it, "forced to become original". Yet his music circulated widely, and for much of his career he was the most celebrated composer in Europe.

He was a friend and mentor of Mozart, a tutor of Beethoven, and the older brother of composer Michael Haydn.

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Harpsichord/Piano Concerto in D Major, H.XVIII:11

1. Vivace (0:00)
2. Un poco Adagio (7:11)
3. Rondo all'Ungarese. Allegro assai (12:21)

Ronald Brautigam, fortepiano and the Concerto Copenhagen

I don't know why Brautigam didn't include Haydn's original (excellent) cadenzas.
Keyboard Concerto No. 11 in D major (Hob. XVIII / 11) was written between 1780 and 1783. It was published in 1784. It is his last concerto for a keyboard instrument.

Originally, this concerto was composed for harpsichord or fortepiano and scored for an orchestra in a relatively undeveloped galant style that had been evident in early works by Haydn. It has a lively, Hungarian Rondo finale.

Being a somewhat later composition, however, it also shows more similarities to Mozart's piano concertos than do Haydn's other keyboard concertos. Haydn and Mozart probably had become acquainted by 1784, when this concerto was published. Although Mozart returned from Italy in March 1773 at the age of seventeen, he did not turn to piano concertos until 1776, nonetheless, some biographers and music historians suggest that distinct similarities in this work by Haydn might indicate influence by the works of Mozart. Mozart acknowledged the important role of Haydn in development of music and, in correspondence, often referred to him as, "Papa Haydn".