My Color Grading Process (Filipino Language) |

Описание: I apologize for changing niche but from here on out, my content will be about photography and film making. Hopefully, I get to make more of these kind of videos to keep my YouTube active and to gain traction.

This is a video to show my process on how I color my footage here on YouTube and Instagram. I'm by no means a professional colorist–everything I did in this video is a process that works for me. If you have any questions, comment below. I'll try to answer each one of them.

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Gear:
Camera: Sigma FP
Monitor: Blackmagic Video Assist 12G
Mic: Sennheiser MKE 600
Lens: 7Artisans Spectrum 35mm f2.0
Lights: Godox TL30

Software:
DaVinci Resolve
Dehancer
CapCut
ChatGPT

Timestamp:
0:42 - Quick explanation/ Thought process

2:28 - Footage 1 - Sony a6300
2:55 - Footage conversion from Log to Rec.709
3:15 - Print film for 2383
3:50 - Exposure adjustment node
4:33 - Color Density
5:30 - Image Wipe
5:48 - Film Developer – Color Boost (this is redundant I also mentioned this at 6:50)
6:09 - Film Stock (Vision 3 250D or 500T)
6:50 - Film Developer – Color Boost (This is the time I really use it; not before the film stock settings)
7:22 - Reference Images (Image Wipe) from ShotDeck
8:01 - Black points (Expand Settings)
8:20 - White point (FIlm Print Settings)
8:40 - Temperature adjustment (adjusting footage towards green tint)
9:16 - Halation
9:45 - Film Grain
10:41 - Color Density sample
11:09 - Footage 1 Result

11:18 - Footage 2 - Sony a6300
11:54 - Glow node
12:42 - Footage 2 Result

12:52 - Footage 3 - Fujifilm X-T3
13:29 - Vision 500T on daylight + balancing tungsten
14:18 - Exposure adjustment
14:41 - Color Density
14:48 - Color Boost
14:51 - Film Compression
15:15 - Footage 3 Result

15:19 - Footage 4 - Fujifilm X-S20
15:26 - F-Log2 conversion using Phantom Luts
15:48 - Dehancer + 2383
15:59 - Isolating skin tone (qualifier)
16:40 - Footage 4 result

16:48 - Footage 5 - Sigma FP
17:18 - Braw conversion (Phantom Luts for BMPCC6k)
17:28 - 2383
17:33 - Vision3 500T + balancing out the magentas
17:46 - Contrast adjustment (within Film Print settings)
18:00 - Expand–Black point (matching the blacks from the reference)
18:27 - Blue tone of the 2383
18:42 - Footage 5 result

18:58 - Result of all footage