#PeggyGuggenheimCollection
Автор: Simona Cochi The Italian Way
Загружено: 2022-05-22
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PeggyGuggenheimCollection Overview on works - Surrealism and Magic Enchanted Modernity Venice Italy
#surrealism #magic #peggyguggenheim
Simona Cochi introduces the artists on display for the exhibit Surrealism and Magic: Enchanted Modernity.
Curated by Grazina Subelyte, Associate Curator, Peggy Guggenheim Collection
Surrealism and Magic: Enchanted Modernity is a joint exhibition project between the Peggy Guggenheim Collection and the Museum Barberini.
It is the first large-scale international loan exhibition that looks at the movement’s interest in magic and the occult. Presenting about 60 works, in the Venetian venue, from over 40 international museums and private collections, it offers a rich overview of the entire development of the Surrealist movement, exploring the myriad ways, in which magic and the occult informed its artistic trajectory, from the “metaphysical painting” of Giorgio de Chirico around 1915, through Max Ernst’s iconic painting Attirement of the Bride (1940), to the occult imagery that underpinned the late works of Leonora Carrington and Remedios Varo. In their works, Surrealist artists frequently drew on occult symbolism and cultivated the traditional image of the artist’s persona as a magician, seer, and alchemist, looking to magic as a poetic and deeply philosophical discourse, related to individual self-empowerment.
Curated by Grazina Subelyte, Associate Curator, Peggy Guggenheim Collection
Surrealism and Magic: Enchanted Modernity is a joint exhibition project between the Peggy Guggenheim Collection and the Museum Barberini. It is the first large-scale international loan exhibition that looks at the movement’s interest in magic and the occult. Presenting about 60 works, in the Venetian venue, from over 40 international museums and private collections, it offers a rich overview of the entire development of the Surrealist movement, exploring the myriad ways, in which magic and the occult informed its artistic trajectory, from the “metaphysical painting” of Giorgio de Chirico around 1915, through Max Ernst’s iconic painting Attirement of the Bride (1940), to the occult imagery that underpinned the late works of Leonora Carrington and Remedios Varo. In their works, Surrealist artists frequently drew on occult symbolism and cultivated the traditional image of the artist’s persona as a magician, seer, and alchemist, looking to magic as a poetic and deeply philosophical discourse, related to individual self-empowerment.
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"The Italian Way" Youtube Channel (My Camera .....my Paintbrush) is an iconic video magazine created by Simona Cochi, an Italian journalist and pr based in Milan.
Simona unveils the exclusive features of the most relevant events about Art, Lifestyle, Design, Fashion, and more. Art interviews are one of the keys to being seduced by "The Italian Way" project.
The creative gesture of "direct capture" (the camera like a brush) blends different and transversal elements and draws on the visual heritage, the digital, and the sound in a field with still unexplored possibilities but which has the characteristics of a 21st-century Surrealism.
This editorial project has been conceived on Simona's return after a year and a half of work and research in different European capital cities and iconic outposts.
Simona Cochi can claim international working experiences and an academic track record.
2017 - Simona Cochi starts her digital video magazine to adapt communication and journalism techniques to the new challenge of the 2.0 era.
In 2018, during her experience as a video blogger in Vienna's museums, her definitive inspiration eminent Austrian figure with significant traces of his life and works in Vienna.
unprecedented vision, and delivering new interpretative nuances of daily reality.
The images and comments of the Italian journalist are expressed to describe the emotions of art but also to portray the magnificent outposts of culture. Simona Cochi's footage is often accompanied by iconic interviews with the event's protagonist.
The beauty of a work resides in its visionary strength, in its celebratory capacity, in the alienating effect it arouses and this is what the spontaneity of the author often manages to convey.
The creative gesture of "direct capture" (the camera like a brush) blends different and transversal elements and draws on the visual heritage, the digital, the sound in a field with still unexplored possibilities but which has the characteristics of a 21st-century Surrealism.
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