Pure Raga Hamsadhwani - Santoor Virtuoso Live at Bishnupur Music Festival 2022

Описание: Raga #Hamsadhwani performed by #Santoor exponent Sandip Chatterjee at #Bishnupur Classical Music Festival 2022, accompanied by Tabla Shri Soumen Nandy... This great three days music festival had been organized by West Bengal Tourism Department under the guidance of the honorable Chief Minister of West Bengal, Mamata Banerjee ...


ABOUT THE GHARANA

The Gharana originated in Bishnupur, West Bengal, India in the late 18th century with its roots dating back to the 13th-14th centuries CE. The name of the town means "city of Vishnu" in Bengali. In the ancient past, this area, known as Mallabhum was the abode of Malla Kings who were vassals to the Mughal Empire and were devotees of Vishnu and patrons of music. Historians suggest that 'Mallabhum' had once been the cultural center of Eastern India. It also has the distinction of being the only vocal Gharana in West Bengal.
In the 17th century, during the reign of Mughal emperor Aurangazeb, many musicians moved to the court of the Maharaja of Bishnupur who was a known patron of the arts. The dhrupad singer Bahadur Khan of the Senia Gharana, a descendant of Tansen, fled to Bishnupur and made his Gharana popular, and sought refuge in the court. Bahadur Khan was not only a vocalist but could also play the Veena, the rabab, and the Surshringar. The king, Raghunath Singh Deo II, accepted him as a court singer. In time, a good number of students became the disciples of Bahadur Khan.
Historical evidence points to Ramasharan Bhattacharya, a disciple of Bahadur Khan as the founder of the Gharana. Bishnupur Gharana, therefore, has a strong link to Betiya Gharana through this unbroken relationship. However, this view is contradicted by some historians, who claim that Bahadur Khan could not have attended the Durbar of King Raghunath Singh Deo II because of anachronism, as there is a gap of at least 50 years (2 generations) between them. In practice, Bishnupur Gharana has got some characteristic features in the improvisations of some Ragas which are different from the practice of the Betiya school of the Seniya Gharana.

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