Genesis 'The Way We Walk' Audio Commentary
Автор: Commentary Archive
Загружено: 2026-01-16
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Описание:
Genesis: The Way We Walk - Live in Concert is a double-DVD set capturing the band's lavish 1992 world tour in support of their album We Can't Dance. Filmed over three consecutive nights at London's Earl's Court in November 1992, the production was a massive stadium-rock event featuring a large crew, giant video screens, and state-of-the-art lighting.
Synopsis
The concert footage showcases the core trio of Phil Collins (vocals, drums), Tony Banks (keyboards), and Mike Rutherford (guitar, bass), augmented by long-time touring musicians Daryl Stuermer (guitar, bass) and Chester Thompson (drums). The band delivers a polished performance, with a setlist heavily focused on their commercially successful pop-oriented material from the 1980s and early 1990s, though it does include a special "Old Medley" of classic progressive rock songs.
The DVD is celebrated for its impressive technical presentation, offering high-quality video and 5.1 surround sound. A key feature is the option to view the entire two-hour concert from up to four different camera angles, providing a unique "front-row" perspective on the stage action and musicianship.
The show itself is a spectacle of the era's concert technology. Highlights include Collins' energetic stage presence and "evangelical" introduction to "Jesus He Knows Me", the powerful rendition of "Land of Confusion", and the visually dynamic "Tonight, Tonight, Tonight" intro with its "Armageddon-style" atmosphere on the video screens. The setlist balances newer hits like "I Can't Dance" and "No Son of Mine" with audience favorites like "Invisible Touch" and the concluding "Turn It On Again".
The DVD package also includes bonus materials such as interviews with the band members, a photo gallery, a reproduction of the original tour program, and an (infamous) audio commentary track where the band is often more focused on casual conversation than the performance itself.
Overall, the DVD serves as a definitive visual document of the Phil Collins-era Genesis in their stadium heyday, highlighting their tight musicianship and the grand scale of their live performances.
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