The Propaganda Everyone MISSED in Dhurandhar

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In this video, I break down why Aditya Dhar’s approach in Dhurandhar is labeled as propaganda by a large section of society. Even when the film understood something most Indian war stories miss. It asks a fascinating question of What kind of people does a nation create when it feels constantly threatened?

This idea isn’t new. We’ve seen similar moral transformations with Eren Yeager in Attack on Titan and Benicio del Toro in Sicario, where survival slowly pushes societies to adopt the same brutality they once condemned.

This concept traces back to something George Orwell the writer of 1984, wrote during World War II in his stint at BBC. And when you look at Indian history, especially how figures like Ashoka were rediscovered by the British, you start to see storytelling the way civilizations understand themselves.

This video explores how cinema, propaganda, and history intersect. Why stories like Dhurandhar often make people uncomfortable.

My References for this video -

https://www.thehindu.com/entertainmen...

https://frontline.thehindu.com/column...

https://globalsouthforum.org/article/...

https://orwelldiaries.wordpress.com/2...

https://observer.co.uk/news/archive/a...

https://archive.org/details/ajivikas0...

https://books.google.co.in/books?id=9...

https://www.polygon.com/2019/6/18/186...

https://www.cbr.com/china-bans-attack...

https://collider.com/attack-on-titan-...

https://www.wsws.org/en/articles/2015...

Timestamps:
3:06, 3:57, 4:13, 5:15, 5:18, 5:42, 7:49, 16:42
Cuts inspired by Vignesh Kurbet

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