Lizzy Mercier Descloux - Hard-boiled Babe {1979}

Описание: #alternative_music

Album/Single/EP : Press Color

Lizzy Mercier Descloux (1956-2004) was a French singer born in Paris. A Lyon-born art school dropout and devotee of Rimbaud and Godard, she was every bit the romantic French archetype, as well as an innovator and witness to numerous pivotal moments in musical and cultural history. She died in obscurity in April 2004, twenty years after what was ostensibly her musical heyday.

Descloux saw Patti Smith and Television at CBGBs and Basquiat at the Kitchen. She recorded at Compass Point Studios in Nassau while Grace Jones made Nightclubbing next door. She collaborated with Soweto musicians in apartheid-era South Africa years before Graceland. She persuaded Chet Baker to play trumpet on her penultimate album, which turned out to be one of his final recordings. Though expert archivists Light in the Attic recently reissued her discography, she has mostly remained a footnote to other people’s careers.

In his 2013 autobiography, I Dreamed I Was a Very Clean Tramp, Descloux’s former lover Richard Hell invokes her memory with grim fetishization: “She was an intellectual sex-kitten chanteuse adventuress little girl.” Most of her old paramours still bitch about their rivals’ dreadful influences on Descloux’s career, each claiming a different account of how she truly felt and how much control she wielded. Stories abound of various collaborators pushing her in this direction and that while she griped about being worked so hard, yet she freely made five albums and one EP, followed her whims across the globe, and never conveyed anything less than a steely sense of autonomy, engagement, and intent in the many interviews she did during that period.

If there is a conclusive riposte to whether she was mused and used by the men around her, it’s in the consistency of her work over that decade—as suitors came and went—which defines her as a visionary, forging unconventional marriages of sound and attempting to push her singing to non-verbal transcendence. When examining Descloux’s unique voice, her strong and ever-shifting image, and her considerable achievements, one question becomes immediate: How could such a person possibly have been forgotten by history?