How to sing “Lovely Rita“ vocal harmony | The Beatles lesson - Galeazzo Frudua

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https://www.fruduamusic.com - Learn how to sing “Lovely Rita“ vocal harmony by The Beatles. Video harmonies breakdown lesson by Galeazzo Frudua on “Lovely Rita“ The Beatles harmonies breakdown. Las Armonías vocales y los arreglos vocales que enseña las armonías vocales de The Beatles. Enjoy! ラブリー・リタ・ビートルズの歌い方
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NEED TO BREAKDOWN A VOCAL HARMONY? WRITE ME ➡ [email protected]
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NEED A VOCAL HARMONY ARRANGEMENT? WRITE ME ➡ [email protected]
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TIMESTAMPS:

SPOKEN LESSON
00:00 Intro
00:26 Overview of Lovely Ritsa's harmony
00:41 Paul's lead vocals
00:44 The use of ADT, doubletracking (video link above), and slapback echo
01:15 Explanation of the harmony in the intro and outro
01:24 George's interval requires a bit of attention
01:53 Demonstration of George's interval in the harmony
02:02 The use of vowels
02:17 The harmony before the solo
02:20 Paul's vocal technique
02:28 Demonstration of Pauls's vocal technique
02:42 George Martin's intervention in the harmony before the solo
02:53 Paul's and John's intervals interlacing
03:18 Demonstration of Paul's and John's intervals interlacing
03:24 How the recording was accelerated and the effect on the vocals
03:52 Final conclusions

INTRO AND OUTRO HARMONIES DEMO

04:08 Intro and outro: all vocals
04:35 Intro and outro: higher vocals
04:49 Intro and outro: mid vocals
05:15 Intro and outro: lower vocals
05:31 Intro and outro: higher falsetto
05:45 Paul and John jocking vocals

HARMONY BEFORE THE SOLO

05:50 Harmony before the solo: all vocals
06:13 Harmony before the solo: Paul's lead vocals
06:27 Harmony before the solo: Paul's vocals
06:48 Harmony before the solo: John's vocals
07:09 Harmony before the solo: George's vocals
07:28 Harmony before the solo: high falsetto vocals
07:49 Harmony before the solo: additional vocals 1
07:59 Harmony before the solo: additional vocals 2
08:05 Conclusion
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The video is in nature instructional, with the purposes of education, comparison, and criticism only. The material included is included in an effort to explain, critique, and/or comment on works on significant cultural impact.

This should constitute a “Fair use” of any such copyrighted material (referenced and provided for in section 107 of the US copyright law).

Such material remains the copyright of the original holder and is used here for the purposes of education, comparison, and criticism only. I reserve all rights to my interpretation of how the song was played, which is my own work.


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