The Complicated Legacy of Pulp Fiction

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People have turned on Pulp Fiction in recent years... why?

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SOURCES:
Lisa Coulthard, “Torture Tunes: Tarantino, Popular Music, and New Hollywood Ultraviolence,” Music and the Moving Image, Vol. 2, No. 2 (Summer 2009).

Todd F. Davis, and Kenneth Womack. “Shepherding the Weak: The Ethics of Redemption in Quentin Tarantino’s ‘Pulp Fiction.’” Literature/Film Quarterly, vol. 26, no. 1, (1998).

Pat Dowell and John Fried, “Pulp Friction: Two Shots at Quentin Tarantino’s “Pulp Fiction,” Cinéaste, Vol. 21, No. 3 (1995).

Todd Gilchrist, The Inside Story of ‘Pulp Fiction’: 20 Creatives Break Down Making the ‘Tarantinoverse’ Look and Feel,” Variety (2024).

William Grimes, “‘Forest Gump’ Triumphs With 6 Academy Awards,” The New York Times (1995).

Gary Groth, “A Dream of Perfect Reception: The Movies of Quentin Tarantino,” The Baffler, No. 8 (1995).

Wook Kim, “1995: ‘Pulp Fiction’ vs. ‘Forrest Gump’” Time (2013).

Anthony Lane, “Degrees of Cool” The New Yorker (1994).

Derek Malcolm, “Pulp Fiction” The Guardian (1994).

Janet Maslin “CRITIC'S NOTEBOOK; The Good, Bad and In-Between In a Year of Surprises on Film” The New York Times (1994).

Peter McAlevey, “All's Well That Ends Gruesomely” The New York Times (1992).

Adam Nayman, “Forrest Gump’ Won the Battle, but ‘Pulp Fiction’ Won the War,” The A.V Club (2019).

Mark Seal, “Cinema Tarantino: The Making of Pulp Fiction,” Vanity Fair (2013).

Chris Vognar, “He Can't Say That, Can He?” Transition, No. 112, Django Unpacked (2013).

Cynthia Young, “Other Side of a Badass Coin: Racial Doubling and Cultural Contestation in Quentin Tarantino’s “Pulp Fiction,”” Dispositio, Vol. 20, No. 47, Postcolonial and the Americas (1995).