GE10025 Indra Giri by Miss Julia with Lincoln's Orchestra 78rpm shellac Keronchong Malaya c.1938
Автор: Paul Lincoln
Загружено: 2025-12-31
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1938 Malaya Tribune Advertisement
https://eresources.nlb.gov.sg/newspap...
Lincoln's Orchestra, led by David Lincoln was a Singapore / Malayan Straits Settlement based Keronchong band that accompanied several notable Malayan singers of the time. They had several records pressed under the Columbia Graphopone Co. Ltd label based in India. The Lincoln's Orchestra played at Happy World Cabaret in Singapore as recounted by Tony Danker can be found on page 136 of this article written by Assoc Prof Eugene Darianathan and Phan Ming Yen of the National Institute of Education, Nanyang Technological University.
Orkestra Lincoln, diketuai oleh David Lincoln ialah sebuah kumpulan Keronchong yang berpangkalan di Singapura / Malayan Straits Settlement yang mengiringi beberapa penyanyi Malaya yang terkenal pada masa itu. Mereka mempunyai beberapa rekod yang ditekan di bawah label Columbia Graphoone Co. Ltd yang berpangkalan di India. Orkestra Lincoln yang dimainkan di Happy World Cabaret di Singapura seperti yang diceritakan oleh Tony Danker boleh didapati di muka surat 136 artikel ini yang ditulis oleh Prof Madya Eugene Darianathan dan Phan Ming Yen dari Institut Pendidikan Nasional, Universiti Teknologi Nanyang.
repository.nie.edu.sg/server/api/core/bitstreams/7c16210f-bf4a-4343-865f-10d688498665/content
Kroncong (pronounced "kronchong"; Indonesian: Keroncong, Dutch: Krontjong) is the name of a ukulele-like instrument and an Indonesian musical style that typically makes use of the kroncong (the sound chrong-chrong-chrong comes from this instrument, so the music is called kroncong). A kroncong orchestra or ensemble traditionally consists of a flute, a violin, at least one, but usually a pair of kroncongs, a cello in pizzicato style, string bass in pizzicato style, and a vocalist. Kroncong originated as an adaptation of a Portuguese musical tradition, brought by sailors to Indonesian port cities in the 16th century. (Wikipedia)
This recording was digitised with a Audio Technica AT-LP120XBT-USB with an attached AT-VMN95SP stylus for 78rpm shellac phonographs. Digitisation was done through the turntables internal A/D converter and transferred to Adobe Audition on a PC computer via USB. Recording quality was set at 48000hz 32bit Mono. General hiss and significant pops and cracks are removed from the original track. Distortions heard are sometimes caused by repairs done to the audio
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