How Tarek Akef Revolutionised Middle Eastern Music | A Composer's Analysis of Ya Bayaein El Hawa
Автор: Jad Al Masri | Violinist & Composer
Загружено: 2025-04-22
Просмотров: 140
Описание:
The true architects of Middle Eastern music have remained in the shadows for too long. As a composer and violinist continuing my father's musical legacy, I reveal how Tarek Akef and Salah Al Sharnoubi created a masterpiece that redefined music across an entire region.
When George Wassouf performed "Ya Bayain El Hawa," few understood the revolutionary composition techniques that made it possible. This deep dive exposes the brilliant minds behind one of the Middle East's most powerful musical moments and how their innovations continue to shape music today—including their influence on my father's 30+ year career alongside legends like Melhem Barakat and Najwa Karam, and our own East-West fusion compositions.
You'll discover: • How Tarek Akef's melodic genius broke traditional boundaries while honoring cultural roots • The sophisticated compositional techniques that create those goosebump-inducing emotional moments • Why understanding "Ya Bayain El Hawa" is essential to truly appreciating Middle Eastern music • The musical thread connecting these legends to our modern "Disaster" series and orchestral pieces
Whether you're a devoted fan of Middle Eastern music or a curious newcomer, this analysis will transform how you listen to and appreciate these sophisticated musical traditions. Through my perspective as both a musician and composer following in these footsteps, I offer unique insights that celebrate not just an iconic performance, but the brilliant minds whose work continues to influence generations of musicians. Their overlooked genius deserves global recognition.
#MiddleEasternMusic #GeorgeWassouf #TarekAkef #MusicAnalysis #YaBayainElHawa #HiddenGenius #JadAndRabih #musicallegacy
00:00 - Start
01:47 - Who Is Tarek Akef & Salah Al Sharnoubi?
02:32 - The Piece & Analysis Structure
03:02 - Disclaimers
03:13 - Arranger v Composer
04:07 - 3 - Simple Presentation of Melodic Ideas
05:20 - Sound Selection
05:52 - Sound Engineer
06:37 - The Introduction - Layered Introduction of Textural Density
07:25 - Layered Introductions
09:60 - Syncopation
11:15 - Saidi vs Baladi - The Disaster 3
11:47 - The Disaster 3
12:29 - Putting it All Together: Introduction
13:35 - Our Composition: The Disaster
14:15 - 4 Bar Percussive Fill
15:24 - Next Melody - Ney
16:12 - Ornamentation
17:22 - Microtonal Tuning System: Bayat
19:13 - Harmonising Outside of Quartertones
20:45 - Relationship Between Strings & Main Melody - Quintessential
22:03 - Our Own Example: The Disaster 9
23:27 - Strings After Ney
24:37 - The Motif
26:09 - Vocal Performance of George - Main Melody
26:46 - Melisma
28:14 - Transition from Arabic to Minor
28:36 - Arabic To Minor
29:41 - Our Own Example: The Disaster 11
31:42 - Wehdi Rhythm
32:35 - Enjoying the Music
32:48 - Reintroduction of Ney
33:57 - The Motif: Now Minor
34:16 - Creative reinterpretation of prior melodic ideas
35:39 - Creative Reinterpretation: Accolay Violin Concerto Example
36:24 - Strings Following The Vocalists Melody
37:08 - Outro
37:53 - Conclusion
38:54 - Die With A Smile: Melodic Shape
Повторяем попытку...
Доступные форматы для скачивания:
Скачать видео
-
Информация по загрузке: