1921 THE COLUMBIANS Say It With Music IRVING BERLIN - 78 RPM Record

Описание: The Columbians, Dance Orchestra De Luxe – Say It With Music
Dance Music - Fox-Trot
Written by Irving Berlin
78 RPM audio transfer from the Bowness Arts collection of vintage records.

The Columbians, Dance Orchestra De Luxe – Say It With Music / Just Like A Rainbow
The Columbians - Say It With Music / Just Like A Rainbow
Label: Columbia – A3472
Format: Shellac, 10", 78 RPM
Recorded: September 12, 1921
Released: December 1921
Genre: Dance Music
Style: Orchestra Instrumental
Other side of this record: Just Like A Rainbow
   • 1921 THE COLUMBIANS Just Like A Rainbow - ...  

The Columbians, an early Columbia studio group, emerged during the vibrant era of 1920s jazz and dance bands. Columbia Records showcased a series of talented ensembles during this period, including notable acts like the Louisiana Five, Ted Lewis' Jazz Band, Earl Oliver's Happy Six, Art Hickman's San Francisco Orchestra, Sam Lanin's Orchestra, Ray Miller, the California Ramblers, Frank Westphal and his Rainbo Orchestra, the Paul Specht Orchestra, the Georgians, Jan Garber, the Original Memphis Five, and the Fletcher Henderson Orchestra. Leading Columbia's studio band and orchestra until 1922 was Charles A. Prince, who skillfully interpreted many of the popular hits of the time. Among his notable recordings was the infectious rendition of "Dardanella" (A2851), which became a massive success, shipping over 832,000 copies. This achievement possibly made it the best-selling regular Columbia release of the entire acoustic era. Following Prince's departure, the name "The Columbians" became frequently associated with studio band recordings. The group, based at Columbia Records in New York, welcomed Robin Hood Browers as their first bandleader in 1921. Over the course of eight years, from 1921 to 1929, The Columbians recorded numerous instrumental pieces for the Columbia Gramophone Company. Unfortunately, little is known about the orchestra's later history. Their name continued to appear on Columbia labels throughout the 1920s. Interestingly, during this period, "The Columbians" also made appearances on labels associated with other renowned American dance bands, such as Ben Selvin or Harry Reser. This suggests that The Columbians' reputation as a versatile and talented group extended beyond their own recordings, leaving an indelible mark on the vibrant musical landscape of the time.

Irving Berlin, whose birth name was Israel Isidore Beilin, was an American composer and lyricist born on May 11, 1888, in Tyumen, Russian Empire (now Russia). He is renowned for his significant contributions to the Great American Songbook. Despite his inability to read sheet music for much of his career, and his limited piano-playing skills, Berlin's extraordinary talent for crafting catchy melodies and poignant lyrics shone through. Berlin's illustrious career spanned several decades, leaving an indelible mark on American popular music. He composed numerous chart-topping songs that have become timeless classics, including "White Christmas," "God Bless America," "Puttin' On the Ritz," and "There's No Business Like Show Business." His compositions skillfully blended elements of Tin Pan Alley, jazz, and Broadway, captivating a wide audience. Throughout his career, Berlin wrote music and lyrics for several highly successful Broadway shows, most notably "Annie Get Your Gun" and "Call Me Madam." He also ventured into the world of film, contributing memorable songs to movies such as "Top Hat" and "Easter Parade," which featured renowned performers like Fred Astaire and Judy Garland. Recognized for his immense talent, Irving Berlin was inducted into the Songwriters Hall of Fame in 1970. He died in New York City on September 22, 1989, at the age of 101, leaving behind a rich musical legacy that continues to resonate with audiences around the world.

Note: The first 78 RPM record came into existence around 1894, and in 1912, the Gramophone Company established 78 rpm as their recording standard. The production of shellac records continued throughout the 78 rpm era, with "non-breakable" 78 rpm vinyl records being introduced in the 1940s. The popularity of the 33 1/3 rpm "Long Play" record, initially released in 1948, caused the 78 rpm record to become obsolete before the end of the 1950s. As these 78 rpm recordings are quite old, they may contain derogatory language and/or negative stereotypes. It is important to evaluate such recordings within their historical context and consider them as a reflection of the attitudes prevalent at the time. These recordings form an integral part of the historical record and do not represent the views of this poster, channel, or Bowness Arts.