Composition With Melody and Harmony Derived From Pitch-Class Set 6-7

Описание: Using Pitch-Class Set (PCS) 6-7, create a composition with melody and harmony derived from this source material. Interpreting PCS 6-7 as a symmetric pitch-scale, we derive Schillinger Melodic Forms, chained into a continuity through transposition and rhythm superimposition. Pedal point technique establishes a Primary Axis and rootedness on pitch-class C. Using set properties such as the interval vector and the set complement we obtain harmony with incomplete 7th chords, subsets with chord tension level control based on Hindemith chord group classification, and polychords with stacked triads. All techniques are combined in a synthesizer orchestral composition example. There's a companion document with text, diagrams and score excerpts available in the webshop.

Contents:
00:00 Opening titles
00:24 Section 1 Introduction: what this video is about
01:02 Section 2 Pitch-Class Set 6-7
01:57 Section 2.1 Representation, staff notation, pitch-disc and keyboard diagram
02:17 Section 2.2 Properties, symmetric scale, interval vector, set complement
03:50 Section 3 Melodic Form and Continuity
03:53 Section 3.1 Elementary Schillinger Melodic Form, ordered note series from PCS
04:55 Section 3.2 Melodic continuity, transformations, rhythm and transposition
07:52 Section 4 Harmony
07:55 Section 4.1 Pedal point, primary axis, rootedness
08:56 Section 4.2 Incomplete diatonic chords from set complement, voice leading
11:38 Section 4.3 PCS subsets, triads to hexachords, Hindemith chord group classification
14:59 Section 4.4 Polychords, stacked triads, SM7, S4, different voicings
16:32 Section 5 Composition Example
19:10 Summary and conclusion

#PitchClassSet #Melody #Harmony

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