Best Performances Directors 2025 | Suparn Verma | Neeraj Ghaywan | Anurag | Arati Kadav |Reema Kagti
Автор: zoom
Загружено: 2025-12-23
Просмотров: 3161
Описание:
0:00 - Introduction
3:30 - Neeraj explains how making ‘Homebound’ and while doing its research, it majorly impacted him
8:00 - Reema explains what she learned from Nasir, who is one of the subjects that ‘Superboys of Malegaon’ is based upon
12:45 - Suparn opens up about how he kept it balanced with views and stuck to facts in ‘Haq’
15:40 - Anurag Basu explains how he based ‘Metro in Dino’ on all the women who raised him and were around him
18:40 - Arati on how she incorporated her own mother’s experiences in the film, the climax of ‘Mrs’ and her character’s suppressed rage
22:20 - Arati explains the food design in ‘Mrs’
27:09 - Suparn analyses what that last scene in ‘Haq’ truly meant, where Emraan puts down the rise before walking away
29:20 - Anurag Basu explains his art of making musicals and seamlessly adding songs to the narrative of the story
31:40 - Anurag: Pankaj Tripathi’s character in ‘Metro in Dino’ is like me
33:30 - Reema on the audition scenes in Superboys of Malegaon.
37:48 - Anurag Basu praises Neeraj Ghaywan’s film ‘Homebound’
41:00 - Suparn on Yami’s monologue in the court scene
43:40 - Reema of Adarsh’s superb method acting for his character
46:00 - Neeraj on how brilliant Konkona is as an actor and could do 3 kinds of crying
47:30 - Reema: Rani Mukerji cries the best in scenes, and also is one of the best actors I have worked with
49:50 - Arati Kadav on dealing with the trolling and negative comments from people who said that Mrs was ‘anti-men’
53:55 - Suparn on how many rape scenes were there in the 80s films because sex scenes weren’t allowed and vamps could do item numbers
57:10 - Neeraj talks about borrowing from reality and not imagination to show those scenes where the discrimination or racism was happening in Homebound.
1:01:20 - Anurag Basu on his way of directing on the sets and working without a bound script
1:03:15 - Reema on her process and ways of directing a film
1:4:50 - Anurag Basu on struggling to find the balance with catering to the audience while staying true to your beliefs
1:08:00 - Reema: The amount of violence being shown is bothersome
1:16:16 - Suparn on violence being shown in some films that he likes
1:19:30 - Suparn explains how ticket prices are impacting Hindli film business
1:22:23 Arati: It becomes difficult for me to be a director of my own voice
1:28:55 - Neeraj on dealing with censorship during ‘Homebound’
1:30: 00 - Suparn on dealing with censorship for ‘Haq’
1:31:55 - Anurag Basu on receiving a lot of cuts for ‘Metro in Dino’ and dealing with censorship
1:32:45 - Suparn on how in one song, which had love scenes, the censor asked him to reduce leg shots, etc
1:35:00 - Neeraj on his advice for filmmakers trying to showcase their films in the international markets
1:39:40 - Arati: Ethically, AI should be used as well, and human interaction cannot be eliminated
1:43:10 - Anurag Basu on making specific playlists for characters and his films
1:43:45 - Arati on how Sanya and she spoke to real women and listened to their experiences for Mrs
1:47:50 - Anurag Basu asks others if they would like to hire him as their DOP
1:49:00 - Anurag Basu on starting his career as a DOP
#anuragbasu #suparnverma #neerajghaywan #reemakagti #exclusive #paneldiscussion
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