20250622絕對空間來溫家第五場 吳聯吟與Nicolei Buendia Gupit

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來溫家｜藝術家介紹
Nicolei Buendia Gupit (美)
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來自美國的藝術家Nicolei ，創作領域涵蓋雕塑、繪畫、裝置藝術以及錄像等多種媒材。擅長運用多元的材料進行創作，從傳統的混凝紙漿、黏土與植物纖維，到矽膠、彩券、樹脂與錄像投影等非傳統元素。Nicolei 的藝術靈感深受其家庭在菲律賓與美國之間遷徙經歷的啟發，作品中經常流露出對移民身份認同的探討與文化交織的省思。同時她亦關注當代社會的重要議題，如氣候變遷、美國夢的幻滅，以及全球資本主義帶來的衝擊。透過創作，她不僅呈現個人與家庭的生命歷程，也積極介入公共對話，反映全球性結構問題對個體與社群的影響。Nicolei 的藝術實踐不只是美學上的探索，更是一種社會介入的行動，展現她身為藝術家的深層關懷與批判意識。
Nicolei, an artist based in the United States, works across a diverse range of media including sculpture, painting, installation, and video. She is known for her ability to integrate a wide variety of materials in her practice, from traditional ones such as paper mache, clay, and plant fibers, to unconventional elements like silicone, lottery tickets, resin, and video projection. Deeply influenced by her family's migration between the Philippines and the United States, Nicolei's work often explores themes of diasporic identity and the complexities of cultural hybridity. Her art also engages with urgent contemporary issues such as climate change, the disillusionment of the American Dream, and the impacts of global capitalism. Through her creative process, Nicolei not only reflects on personal and familial narratives but also actively participates in public discourse, shedding light on how global systemic forces affect individuals and communities. Her artistic practice goes beyond aesthetics, serving as a form of social engagement that reveals her deep sense of care and critical awareness as an artist.
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吳聯吟 Wu LienYin(台灣)
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​吳聯吟，來自台南的當代藝術家，其創作深受台灣民俗信仰、地方記憶與日常生活啟發。他擅長從生活中的「巧遇」出發，透過雕塑、裝置、影像等多元媒材，挖掘被忽略的文化細節與個人經驗。作品常結合地方物件、身體感知與儀式符號，探討記憶、勞動與認同之間的關係，呈現出既詩意又帶有批判性的視角，並以實驗性手法處理媒材，藉由重新組構與干預，賦予傳統元素嶄新的當代表達，反映對個人身份與集體文化的思索。
Wu Lienyin is a contemporary artist from Tainan, Taiwan, whose work is deeply inspired by local folk beliefs, collective memory, and everyday life. Often beginning with moments of serendipity, he employs a range of media—including sculpture, installation, and video—to uncover overlooked cultural details and personal experiences. His practice frequently integrates regional objects, bodily perception, and ritual symbols to explore the relationships between memory, labor, and identity. Through experimental approaches to material, Wu reconfigures and intervenes in traditional forms, offering new contemporary interpretations that reflect a critical yet poetic engagement with both personal and cultural narratives.