NCERT Art & Culture Ch7 | INDIAN BRONZE SCULPTURE | Lost Wax, Nataraja & UPSC Qs |

Описание: Welcome to Simplified UPSC by पठति पठत: पठन्ति! In this comprehensive discussion, we'll dive deep into the fascinating evolution of Indian Bronze Sculpture, a crucial topic for UPSC GS Paper 1 and Mains preparation.

Based on Chapter 7 of the NCERT Class 11 Fine Arts textbook (An Introduction to Indian Art, Part 1), this lecture provides a detailed analysis of the techniques, history, and profound symbolism embedded in metal casting traditions across India.

We begin by exploring the ancient roots of the *Lost Wax (Cire Perdue)* technique, tracing its application from the *Indus Valley Civilization (IVC) Dancing Girl* (c. 2500 BCE) and the Daimabad finds. We then analyze the refinement seen in the **Gupta and Post-Gupta periods**, studying the characteristic Sarnath style (e.g., Sultanganj Buddha's wet drapery effect).

The discussion covers the influence of Vajrayana Buddhism on *Pala bronze art* (Nalanda, Vikramshila) before moving to the 'Golden Age' of bronze casting: the *Chola period**. We dedicate significant focus to decoding the iconic **Shiva Nataraja**, understanding its profound cosmic symbolism (Tandava, Apasmara, Mudras). Finally, we look at the continuation of these traditions in the **Vijayanagara Empire**, including the introduction of **Portrait Sculptures* (Raja Krishnadeva Raya). This lecture also includes analysis of relevant UPSC Preliminary Questions, such as the significance of the **Tribhanga Mudra**.

---

*Join our Community* for detailed notes, daily quizzes, and personalized guidance: https://t.me/simplifiedupscbyppp

If you found this video helpful, please Like, Share, and Subscribe to Simplified UPSC by पठति पठत: पठन्ति!

📝 SUMMARY 📝
This video is a detailed analysis of Indian Bronze Sculpture, drawing primarily from NCERT Fine Arts Chapter 7. It covers the evolution of bronze casting using the Lost Wax (Cire Perdue) technique, starting with the Indus Valley Civilization's Dancing Girl and the significance of the Tribhanga Mudra. Key periods analyzed include the sophisticated Sarnath style of the Gupta era (Sultanganj Buddha), the ornamental Pala Buddhist sculptures, and the golden age under the Cholas, focusing extensively on the philosophical symbolism of Shiva Nataraja. The lecture concludes by discussing the continuation of this tradition into the Vijayanagara period, featuring unique portrait sculptures, and linking these historical methods to contemporary Dhokra tribal art, emphasizing its importance for high-scoring answers in the UPSC Civil Services Examination.

⏰ TIMESTAMPS ⏰
00:00:00 - Introduction to Indian Bronze Sculpture (NCERT Ch 7)
00:01:24 - Decoding the Lost Wax Technique (Cire Perdue)
00:03:07 - Early Bronze Art: Indus Valley Civilization (Dancing Girl)
00:03:35 - Significance of Tribhanga Mudra
00:03:52 - Bronze Finds from Daimabad (Maharashtra)
00:04:18 - Gupta and Post-Gupta Bronze Sculptures
00:04:27 - Features of Sarnath Style (Sultanganj Buddha)
00:05:05 - Pala Dynasty Bronze Art (Bihar and Bengal)
00:05:55 - Chola Period: The Golden Age of Bronze Casting
00:06:08 - Development and Symbolism of Shiva Nataraja
00:07:34 - Context and Function of Utsava Murti
00:08:06 - UPSC Previous Year Questions (Tribhanga Mudra Analysis)
00:09:17 - Vijayanagara Bronze Art and Portrait Sculptures
00:10:46 - Relevance of Dhokra/Tribal Art Today

#UPSC #IndianArt #BronzeSculpture #NCERTArtCulture #CholaBronzes #ShivaNataraja #LostWaxTechnique #CirePerdue #UPSC2025 #UPSC2026 #GS1 #AncientIndia #DancingGirl #TribhangaMudra #GuptaArt #PalaArt #VijayanagaraEmpire #ArtHistoryIndia #UPSCPreparation #IAS #CivilServices #SimplifiedUPSC #BronzeCasting #SultanganjBuddha #SarnathStyle #MetalCasting #UtsavaMurti #Daimabad #MohenjoDaro #IndusValleyArt #DravidianArt #TempleArt #BuddhistArt #Vajrayana #Nalanda #Vikramshila #KrishnadevaRaya #PortraitSculpture #IndianCulture #SSC #PCS #ArtArchitecture #HinduArt #SculptureTechniques #DhokraArt #Bastar #UPSC_Art_Culture #AncientHistory #BhaktiMovement #BronzeAge