The girly pops are gaslighting us all the way back to the 1960s

Описание: In this video, we'll go into the critical examination of choice feminism and the implications of individual decisions made by high-profile women in contemporary pop culture. Through a nuanced exploration of Sabrina Carpenter’s provocative album cover, Sydney Sweeney’s controversial bathwater marketing, and Bonnie Blue’s hypersexualized online persona, the video interrogates whether these choices—though framed as expressions of personal agency—ultimately reinforce or challenge the structural conditions of gendered oppression.

The discussion begins with Sabrina Carpenter’s “Man’s Best Friend” album artwork, which features the artist posed on all fours with a man tugging her hair. While some interpret this as satire or artistic expression, others argue it perpetuates tropes of submission and objectification. We consider the broader cultural context, particularly the resurgence of tradwife aesthetics and the increasing normalization of submissive femininity in mainstream media, to question the feminist potential of such imagery.

The conversation then shifts to Sydney Sweeney, who recently garnered attention for partnering with a brand to sell bathwater-infused soap. While this act has been framed by some as a reclamation of agency over one’s own objectification, we have to critique the notion that profiting from hypersexualization constitutes liberation. Instead, such moves often reaffirm the dynamics of the male gaze and underscore the limitations of empowerment under capitalism.

In addressing Bonnie Blue (Tia Bellinger), whose online persona is defined by extreme sexual performance, the video further illustrates the dangerous consequences of conflating visibility and empowerment. Bellinger’s rise reflects a wider cultural shift where social media algorithms reward shock value and sensationalized sexuality, even at the cost of reinforcing the commodification of young women’s bodies.

Drawing on contemporary feminist theory, the video critiques the dominant framing of choice feminism, which asserts that any choice made by a woman is inherently feminist if it is freely made. We'll cover how this perspective neglects the broader implications of individual choices on the collective status of women, particularly when those choices uphold patriarchal values or fuel exploitative markets. In a media ecosystem where hypersexualization is commodified and sold as empowerment, the line between agency and coercion becomes increasingly blurred.

The discourse invites everyone to reflect on the following: When public figures perform submission or market their sexuality, are they challenging norms or simply adapting to them? And if the latter, does feminism risk becoming depoliticized when reduced to personal branding?

This video is an essential contribution to ongoing conversations about gender, representation, capitalism, and power in the digital age. It is particularly relevant for viewers interested in feminist critique, media studies, pop culture analysis, and the evolving terrain of gender politics in the 21st century.

Animations:   / kashmirichaiandbooks  

Check out my other videos:
On male rage and toxic masculinity:    • So, male rage and toxic masculinity are ac...  
On how the tradwives on social media are a scam:    • Tradwives are selling us a one-way ticket ...  
On being childfree or not:    • To be ~childfree~ or not to be