Bull: In Nomine XXXVII for Brass Trio

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John Bull’s In Nomine XXXVII becomes a compact, richly voiced feature for small church or recital programs in this arrangement for brass trio of cornet, French horn, and baritone horn. Rooted in the Fitzwilliam Virginal Book, the piece preserves Bull’s expressive, imitative lines while re‑casting them in a warm, blended brass consort sound that suits both liturgical and concert use.
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Piece and background
Drawn from the Fitzwilliam Virginal Book (FVB 37), In Nomine XXXVII reflects the late Renaissance English keyboard tradition with a serene cantus firmus surrounded by expressive counterpoint.
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The In Nomine lineage, based on the Sarum plainchant “Gloria tibi Trinitas,” gives the work a devotional character that fits prelude, offertory, or meditative concert moments.
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Scoring and sound
Scored for cornet, French horn, and baritone horn, the arrangement exploits the natural blend of conical brass, creating an organ‑like sonority that supports Bull’s sustained inner lines.

The cantus firmus is clearly projected while the surrounding parts trade imitative figures, giving each player a rewarding, independent line without extreme range demands.

Use and difficulty
Ideal for intermediate to advanced church and recital brass players, with moderate technical demands but a strong need for sensitive ensemble and tuning.

Suitable for liturgical slots (prelude, offertory, communion), early‑music themed programs, or teaching contexts that introduce Renaissance counterpoint and stylistic blend for small brass ensembles.