Sin Sisamuth ទំនួញចាបមាស Cover by Foreign Singer Khmer Song Rock Version - បទដើមរបស់ សុីនសុី សាមុត

Описание: 🎵 ទំនួញចាបមាស (Golden Nostalgia) - A heartfelt cover of this timeless Cambodian classic originally performed by the legendary សុីនសុី សាមុត (Sin Sisamuth).

As a foreign artist, I'm deeply honored to perform this beautiful piece from Cambodia's Golden Age of music. Sin Sisamuth's voice and artistry have transcended borders and generations, and this song represents the soul of Khmer culture.
About the Original:

Original Artist: សុីនសុី សាមុត (Sin Sisamuth)
Era: Cambodia's Golden Age (1960s-1970s)
Lyrics:
[Verse 1]
ចាបមាសស្រែកយំ សុំទ្រនំថ្មីអើយ
ក្បែរបង្អួចស្រី ដែលថ្លៃទាញបិទ
ចាបយំពីព្រឹក ដល់យប់ងងឹតអើយ
យំអង្វរចិត្ត សុំមើលភក្ត្រា
[Verse 2]
ចាបមាសស្រែកយំ ទំដើមវល្លិពេជ្រអើយ
ប្រឹងយំបំភ្លេច រឿងទុក្ខខ្លោចផ្សា
យំអង្វរស្រី សុំក្ដីស្នេហាអើយ!
សូមម្ចាស់ចិន្ដា មេត្តាប្រណី
[Chorus]
សំនៀងចាបមាស យំដាស់ចិត្តម៉ុម
ចាបមាសខំយំ សុំស្នេហ៍ភក្ដី
អូននៅក្នុងម្លប់ បាំងបាត់រូបស្រី
សូមពៅស្រដី ឆ្លើយប្រាប់បងផងអ្ហើយ..
[Verse 3]
កាលយំពីព្រឹក យំនឹករូបពៅអើយ
យំពេលយប់ជ្រៅ ទួញហៅអន្ទង
ចាបមាសស្រែកយំ ទំសួរបង្គងអើយ
ស្រែកយំផ្ដោះផ្ដង លើដើមវល្លិពេជ្រ..
[Instrumental Break]

[Chorus]
សំនៀងចាបមាស យំដាស់ចិត្តម៉ុម
ចាបមាសខំយំ សុំស្នេហ៍ភក្ដី
អូននៅក្នុងម្លប់ បាំងបាត់រូបស្រី
សូមពៅស្រដី ឆ្លើយប្រាប់បងផងអ្ហើយ..
[Verse 3]
កាលយំពីព្រឹក យំនឹករូបពៅអើយ..
យំពេលយប់ជ្រៅ ទួញហៅអន្ទង
ចាបមាសស្រែកយំ ទំសួរបង្គងអើយ
ស្រែកយំផ្ដោះផ្ដង...
លើដើម វល្លិពេជ្រ..


Why This Song Matters:
This classic piece showcases the poetic beauty of Khmer language and the sophisticated musical arrangements that made Sin Sisamuth the "King of Khmer Music." His influence on Southeast Asian music continues to inspire artists worldwide.

🙏 Respect and Tribute:
This cover is performed with deep respect for Cambodian culture and the legacy of Sin Sisamuth. I hope to introduce this beautiful music to international audiences while honoring its cultural significance.


Support Khmer Music Preservation:
By watching and sharing, you help preserve and promote Cambodia's rich musical heritage to a global audience.
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