MÚSICA E POESIA À PAULISTANA - Camargo Guarnieri; Vinte Estudos para Piano (1949 - 1988); Moyer (HD)

Описание: #CentroHistóricodeSãoPaulo #CamargoGuarnieriEstudos #CamargoGuarnieriPianoEtudes #FrederickMoyer #JoãoCorreiaFilho #TurismoSescCampinas #Travelphotography

MUSIC AND POETRY TO PAULISTANA - MÚSICA E POESIA À PAULISTANA é um vídeo elaborado após vários passeios pelo Centro Histórico de São Paulo, visitando ainda locais como a Feira Benedito Calixto, a Casa Mário Andrade e a Casa Guilherme de Almeida, de muita significância histórica. Passeios realizados pelo Sesc Campinas, tendo como guia o jornalista e escritor João Correia Filho.

MOZART CAMARGO GUARNIERI (1907 - 1993)
Vinte Estudos para Piano (1949 - 1988)

I. Deciso (1949) [0:07]
II. Brilhante (1949) [1:52]
III. Appassionato (1949) [5:00]
IV. Animato (1954) [6:39]
V. Con moto (1950) [9:29]
VI. Impetuoso, marcatissimo (1962) [11:23]
VII. Sem pressa (1962) [13:24]
VIII. Comodo (1962) [15:45]
IX. Furioso (1962) [19:01]
X. Movido (1962) [20:54]
XI. Brilhante (1968) [23:29]
XII. Dengoso (1968) [25:47]
XIII. Homenagem a Claude Debussy (1969) [28:40]
XIV. Sem pressa (1969) [33:43]
XV. Maneiroso (1970) [36:07]
XVI. Caprichoso (1984) [38:12]
XVII. Sem pressa (1985) [41:50]
XVIII. Ondeante (1988) [44:35]
XIX. Dramático e Triste (somente para a mão esquerda) (1981) [46:34]
XX. Saramba (1982) [50:16]

Pianoforte: Frederick Moyer

Qualidade HD.

The video consists of a creative and interdiscursive paraphrase, involving the concept of bricolage. It is based, as a work of art, on the dialogical relationship between 1) the author and his subjectivity (times, places and memories, alluded to through images, 2) the musical composition and its characteristics and 3) the interpretation of music (with its unique and non-transferable nature). Such interdiscursivity does not occur in the typical and most common level of verbal language, if not in a secondary way, involving photography and musical sound stimuli, which are interconnected and constitute, by the massive combination of various elements (the various photographs and sonorous and interdiscursive stimulus), a bricolage. The video, on the other hand, can be considered an imagery interpretation of classical music.