Moner Manush | মনের মানুষ । Lalon Geeti | The LKG Quartet | Labik Kamal Gaurob
Автор: Bengal Foundation
Загружено: 2026-01-24
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Lalon Geeti
মনের মানুষ চিনলাম না রে
‘Moner manush chinlam na re’ – Lalon Shah
Labik Kamal Gourab/ LKG Quartet
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Bengal Foundation organised a four-day cultural festival titled 'Prane Ano Gan' from December 24 to 27, 2025. Supported by Dhaka Bank, the festival is aimed at reflecting the nuances of tradition and contemporary culture, through music, crafts, and visual art, in celebration of Bangladesh’s month of independence. This event is part of Bengal Foundation’s continuous endeavour to make the practice and pursuit of Bangladesh’s art and culture more dynamic, accessible and multidimensional.
Artist and Accompanists-
The LKG Quartet
Labik Kamal Gaurob - Vocals , Dotara, Khomok
Ahnaf Khan Anik - Guitar
Farshid Alam - Bass
Adnan Rushdi - Drums
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At ‘Prane Ano Gaan’, a four-day cultural festival organised by Dhaka Bank and the Bengal Foundation, the song ‘Moner manush chinlam na re’ by Lalon Shah was performed by Labik Kamal Gourab/ LKG Quartet.
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Labik Kamal Gaurob is a multifaceted Bangladeshi musician, producer, and audio engineer renowned for bridging traditional folk with contemporary world music. A graduate of the SAE Institute, London, he is the frontman of the folk-fusion band Ajob. Gaurob is celebrated for his deep exploration of Lalon Shai’s philosophy, often blending the dotara with western grooves. His international portfolio includes composing for Akram Khan’s Olivier Award-winning production Desh and collaborating with jazz musicians like Zoe Rahman. A regular at festivals like WOMAD, he has released acclaimed albums such as Paar Koro and Hajar Bhooter Rajar Doya. Gaurob leads the online LKG sessions.
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Lalon Shah (c. 1772–1890) was the definitive voice of the Baul tradition, blending mysticism with a revolutionary rejection of blind faith. His philosophy sought the Moner Manush (The Man of the Heart) through the divinity of the human body, while simultaneously fostering class consciousness and resistance for the marginalised. Envisioning a harmonious, pluralistic society, Lalon’s oral traditions influenced icons like Rabindranath Tagore and Allen Ginsberg. Though he left no written records, approximately 800 authentic songs survive through oral transmission, serving as a profound pursuit of a life defined by reason, beauty, and spiritual awakening.
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Cameras: Ashik Apu, Manju Islam, Abul Kashem and Abdul Al Mamun
Online switcher: Shahabuddin Shihab
Editing: Partho Sarathi Modak, Jahirul Islam Shuvo and Ashik
CG and animation: Partho Sarathi Modak and Jahirul Islam Shuvo
Sound: Khalilur Rahman Arko and Nur Alom
Graphics and artwork: Emon Obaidullah & Syed Iqbal Hossain
Typography: Syed Iqbal Hossain
Design: Shamim Islam
Photography & Lighting: Ashrafuddn Apu
Camera assistant: Ashis Debnath
Copywriting: Md. Ashfak Khan
Print production: Abdur Razzak
Communications Lead: Rezwanul Kamal Chowdhury
Project Lead: Md. Ataur Rahman
Script and direction: Zahidul Haque
Produced by Bengal Foundation
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