41-tone circle in 94EDO and the rainbow colour scheme

Описание: Follow on from the last one, this time in a 41-tone circle of fifths inside 94EDO. Full 94EDO is fantastic too, or as much as the Lumatone can give in a Bosanquet mapping (56 tones), but it makes even more sense in my opinion to wrap at either 41 or 53 tones. Notice the incredible similarity between these tunings (53 and 94EDOs), but the slight differences as we get further out. With my colour scheme one can see exactly where that 715c semi-wolf fifth is, between //F and \\Db, and one can see that e.g. the small major thirds from the light blue row are not tuned quite as expected, but slightly lower in pitch (submajor).

I didn't just stick in C, but also didn't wander quite as far as I could have. This tuning (and its cousin, the 53-tone circle) is a whole lot of fun, and I actually played a bit longer but my phone ran out of storage space while recording. Will upload the full audio to archive and post the link in a comment.

As for the colour scheme, the natural row is white, semi-tones splitting the naturals if present are black (not present in this tuning), warmer rainbow colours are higher in pitch, cooler colours are lower in pitch.

The full 16-colour rainbow goes
white-light yellow-light orange-light red-dark violet-dark indigo-dark blue-dark green-black-dark yellow-dark orange-dark red-light violet-light indigo-light blue-light green-white


My book "Microtonality in 55 keys", a guide to intervals, scales, chords on generalised keyboards and how to use them in a wide range of microtonal tunings, is available on my website here (follow the PayPal link)
https://cametaylor.wixsite.com/home/p...

Get in touch if you want to organise lessons on keyboards, audiation, microtonality, or just want to learn more about music in general:
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