German Child Soldiers Sang NZI Anthems — Until They Heard American Jazz
Автор: WW2 Warfronts
Загружено: 2026-01-13
Просмотров: 1400
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Imagine a group of teenage German soldiers, indoctrinated in German fanaticism, singing the Horst Wessel Lied behind American barbed wire—until the sound of jazz changed everything. In the summer of 1945, at Camp Lee, Virginia, seventy-three Hitler Youth prisoners, aged fifteen to eighteen, defied defeat with nightly anthems of a Reich that no longer existed. Colonel James Whitmore, weary from years of liberation campaigns, witnessed an idea that would become an unprecedented experiment in deprogramming fanaticism.
On the first night, Louis Armstrong’s “West End Blues” blared from loudspeakers. The boys faltered. Their rigid goose-stepping and synchronized voices shattered under the chaotic swing of American jazz. Benny Goodman, Duke Ellington, Count Basie, and Dizzy Gillespie followed—forty minutes of music that refused to march in a straight line, mocking the very ideology these youths had been taught to obey. Within days, instruments were introduced, and a transformation began: Rolf, sixteen, picked up a trumpet for the first time; hesitant laughter replaced defiance; tapping feet became improvised rhythms; the boys learned joy over orders.
Declassified reports and Colonel Whitmore’s personal photographs show how music—not lectures, not punishment—broke the fanatical grip of the Third Reich on young minds. By August 1945, Camp Lee’s most obstinate prisoners became curious, collaborative, and human again. The irony: the weapon that conquered hatred was not a rifle, but a trumpet.
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