One for Jay (all verses): For All The Saints (Sine Nomine) (piano, organ, 8:45 AM, CD audio)
Автор: Panoplyimaging
Загружено: 2017-10-30
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For All The Saints -R. Vaughn Williams
Sanctuary Choir
Dr. Terry Morris, Director of Music
First United Methodist, Downtown, Houston Tx
Sharon Goldsberry, Pianist
Dr. John Gearhart, Organist
October 29, 2017
For all the saints who from their labors rest,
Who Thee by faith before the world confessed,
Thy name, O Jesus, be forever blest.
Alleluia! Alleluia!
Thou wast their Rock, their Fortress and their Might;
Thou, Lord, their Captain in the well-fought fight,
Thou, in the darkness drear their one true Light.
Alleluia! Alleluia!
Oh, may Thy soldiers, faithful, true, and bold,
Fight as the saints who nobly fought of old,
And win with them the victor’s crown of gold.
Alleluia! Alleluia!
And when the strife is fierce, the warfare long,
Steals on the ear the distant triumph song,
And hearts are brave again, and arms are strong.
Alleluia! Alleluia!
=reading of the year's departed Saints=
From earth's wide bounds, from ocean's farthest coast,
through gates of pearl streams in the countless host,
in praise of Father, Son, and Holy Ghost.
Alleluia, Alleluia!
Notes:
From https://hymnary.org/tune/sine_nomine_... :
Ralph Vaughan Williams (PHH 316) composed SINE NOMINE for this text and published it in the English Hymnal in 1906. Vaughan Williams wrote two harmonizations¬–one for unison stanzas and one for choral stanzas. The tune's title means "without name" and follows the Renaissance tradition of naming certain compositions "Sine Nomine" if they were not settings for preexisting tunes.
Equipped with a "walking" bass, SINE NOMINE is a glorious marching tune for this great text. Many consider this tune to be among the finest of twentieth-century hymn tunes (it is, perhaps, the cathedral's equivalent to “When the Saints Go Marching In”). Allowing the "alleluia" phrase to enter before our expectation of it is a typical and very effective Vaughan Williams touch.
Sing the unison and harmony stanzas as given in the Psalter Hymnal. Try assigning the various stanzas to antiphonal groups: a "heavenly" ensemble for stanzas 1-2, an "earthly" ensemble for stanzas 3 and 5, and the entire congregation on stanzas 4, 6, and 7.
--Psalter Hymnal Handbook
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