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G.Paisiello Concerto Nr5 D dur, m.1 - Tobias Koch on Buchholtz fortepiano by Paul McNulty

Автор: McNulty Fortepianos

Загружено: 2022-05-04

Просмотров: 525

Описание: Giovanni Paisiello Piano Concerto performed with composer's era fortepiano! Tobias Koch playing Buchholtz 1825 piano, copied by Paul McNulty, with Benjamin Bayl & {oh!}Orkiestra Historyczna at the Concert Hall of the National Philharmonic, on 22 Aug 2019. The performance is from the 15th International Music Festival CHOPIN AND HIS EUROPE - from Chopin to Moniuszko. Please subscribe to our YouTube cannel for more videos!
Paul McNulty fortepianos website: https://www.fortepiano.eu/
McNulty's Facebook Page:   / mcnultypianos  
Tobias Koch: http://www.tobiaskoch.eu/
Chopin Institute:    / chopininstitute  

Tobias Koch is a German pianist. He attended the Robert Schumann Music College in Düsseldorf, and conservatories Vienna, Graz and Brussels. His chamber music partners include Andreas Staier, Joshua Bell, and Steven Isserlis. He is a Schumann specialist, in particular, in Romantic performance practice. Koch's discs include recordings of Chopin, Hiller. Liszt, and other composers of the Romantic period.

PAUL McNULTY became interested in instrument building after Peabody Conservatory in Baltimore. Having studied piano technology in Boston, he earned guild qualification as a tuning examiner. Paul McNulty has built more than 300 fortepianos after Silbermann, Stein, Walter, Hofmann, Fritz, Buchholtz, Graf, Pleyel and Streicher. His fortepianos owned by such musicians and musical institutions as Warsaw Chopin Festival, Competition & Institute (Graf 1819, Pleyel 1830 & Chopin’s "Warsaw piano" Buchholtz), Klassik Stiftung Weimar (copy of Liszt's personal 1846 Boisselot piano), Royal Academy of Music and Royal College of Music in London, Paris Conservatoire, Trossingen Hochschule fur Musik, Koeln, Augsburg and Hannover Hochschule, Paris Sorbonne, Stanford, Cornel & Harvard University, Oberlin College, Basel Musik Hochschule, Schola Cantorum Musik-Akademie Basel, Musik und Kunst Privatuniversität der Stadt Wien, Turino Conservatorium, Vicenza Conservatory, Amsterdam and Den Haague Conservatory, Anton Bruckner Privatuniversität Linz, Glyndebourne Festival, UK, Opera National de Paris, Royal Danish Opera Copenhagen, Center and many others
Prof.Paul Badura-Skoda, Alice and Nikolaus Harnoncourt, Prof.Malcolm Bilson,
Katia & Marielle Labeque, Kristian Bezuidenhout, Ronald Brautigam, Robert Levin,
Trevor Pinnock, John Irving, Trudelies Leonhardt, Geoffrey Lancaster and Neal Peres da Costa.

Please listen to the beautiful sounds of historical keyboard instruments - fortepianos after Pleyel, Walter, Stein, Graf, Streicher, Buchholtz, Fritz and Boisselot. As many other musical instruments, pianos were very different in classical and romantic times. Period piano is not only museum instrument. Their beautiful sounds are very different from the modern piano and they help you to discover the unique music world of Bach, Mozart, Beethoven, Schubert, Chopin, Liszt and Brahms. Concert fortepiano replicas of modern piano maker Paul McNulty brings classical music back to our time. You can buy & rent new concert pianos after Mozart's Walter & Stein, Chopin's Pleyel, Beethoven's Graf, Liszt's Boisselot, Brahms's Streicher. Please visit our website to purchase fortepiano.

Thank you for watching. Please subscribe and visit our channel If you want to know more about fortepianos, classical music and piano manufacturer secrets. Classical music can be your hobby and help your study, but will increase your relaxation, rest and mental health. It will help you to increase positive feelings, bring love to your soul and harmony to your mind. Classical music played on historical instruments will make you feel free through a peaceful passage of time, help you to rest in deep sleep and increase your positive energy when you will wake up.

#fortepiano #PaulMcNulty #Paisiello #PianoConcerto #classicalmusic #Buchholtzpiano #piano

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G.Paisiello Concerto Nr5 D dur, m.1 - Tobias Koch on Buchholtz fortepiano by Paul McNulty

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