Remsy Atassi
A channel about filmmaking covering the art, technical, and business side.
2026 Might Be the Best Year Yet for Independent Filmmakers
Are Blazar Remus Lenses Cinematic? (Long Term Anamorphic Review)
The Old 16mm Camera Nobody Should Use (But I Did)
COVENANT - Original 16mm Experimental Film Shot on Canon Scoopic 16
Short Film Retrospective | The Liar short film by Remsy Atassi
Goodbye to RED — Long Term Review of DSMC2 & Thoughts on RED Cameras
Veo 3 is Just Wrong
What's AI Doing to the Film Industry?
Should You Shoot Super 8 Film in 2025?
The Truth About Working in Film
The Algorithm Is Cursed
Sony FX9 Menus Explained – Full Menu Overview
Is the Sony FX9 Still Worth it in 2025?
Why Your Video Doesn’t Look Cinematic
Why Most Indie Films Lose Money (And How to Survive)
Red Dragon-X DSMC2 Menus Explained
What Creative Burnout Looks Like
How Much Should You Really Charge for a Video?
Which RED Camera Is Actually Worth Buying in 2025?
How I Made My Digital Footage Look Like Kodak Film (Free LUTs Inside)
Sony A7S III Still Worth It in 2025? (Best Settings Guide)
The Zeiss Contax 35mm f/1.4 – Still the Best Vintage Lens?
Build This 8x8 DIY Movable Wall for Your Studio — Full Walkthrough
How Do I Distribute My Indie Film?
Should I Submit My Film to Film Festivals?
Don’t Shoot 16mm in 2025 (Unless You’re Out of Your Mind)
LIQUID TRICKS | Relaxing Macro & Ink Short Film | Macro 4k Ink in Water
FX2: The Sony I Wanted… 5 Years Ago
3 Easy Interview Lighting Setups That Actually Work