MusicRadar Tech

Plaid: In the studio with the Warp Records mainstays – FROM THE ARCHIVE (2019)

Get to grips with the Roland TR-1000 – Producer's Guide

Semtek (aka DJ Persuasion) revisits Couer De Lyon and shares 15 years' of house and techno tips

Capture ideas anywhere with Hisong's AirStudio S1 pocket-sized mobile recording capsule

MJ Cole: In the studio with a UK garage legend – FROM THE ARCHIVE (2017)

Ableton Live tips & tricks: 3 tactics for creative chord progressions

Akai MPC Live III: 5 things we love... but is it better than Push 3?

Eluize makes a house track from scratch with Ableton Push and Live – In The Studio

"A few little annoyances... but we do really love this thing": Sequential Fourm first look review

Ranked: Teenage Engineering Pocket Operators - worst to best

Flava D breaks down the making of Reesey Thing (Hospital Records) – In the studio

"I like beautiful mistakes": Adrian Sherwood on dub, studio techniques & how AI assisted his new LP

5 ESSENTIAL ways to use distortion in Ableton Live: From tighter drums to dub delays

"DnB is the ultimate learning curve": Flava D on her journey from grime to DnB and new LP Here & Now

Better bass: 7 pro electronic artists share advanced bass sound design techniques and synth tips

Silva Bumpa on his go-to studio techniques and tools: "I spend all my money on instrument VSTs"

"It's outrageous the stuff that we used to do just to get sounds": Disciples interview

Everybody needs a 101... and Donner's L1 is a decent, affordable version

Flava D makes a liquid DnB beat from scratch – In The Studio

Silva Bumpa breaks down Feel Da Same: "I wanted a piano hook with a very euphoric energy"

Sound design in Ableton Live: 6 ways to bring your tracks to life with Auto Filter

Why Audiomodern Filterstep is a fantastic free plugin... and how to use it

Disciples break down the making of Starlight: "The whole point of studio sessions is to experiment"

Pigments 6 vs Serum 2 – software synths head-to-head: What's new? Which is best for your workflow?

"I had my 15 minutes, which I hated": Riva Starr on his career, studio and mixing with analogue gear

Break out of the loop: 8 pro producers explain how to turn basic ideas into finished tracks

"The value of music has dropped considerably": Joe Armon-Jones on All The Quiet's musical apocalypse

Why Odin 2 is a fantastic free synth... and how to use it

Breaka talks production tips and making his album Aeoui: "You can't write dance tracks in C# minor"

“I've many different ways of working; every piece of gear has a character" Nadia Struiwigh interview